The Daily Blog experiment – idea generation

The funny thing is, I can remember how I generated perhaps 20% of my poems, maybe 50% of my stories, and 90% of my articles.

The articles are easy. When I was a columnist for NOVA magazine, I’d get a list of the themes of the month way ahead of time, and then I’d have a two week lead time each month to offer up a new article.

Often, the theme would be something as vague as ‘light’, ‘foundations’, or ‘comfort’. As long I was 1000 words long, vaguely amusing, vaguely new age, and vaguely speaking to the theme, I could write what I liked. (As long as I didn’t get all meta and writing about writing.)

Sometimes, my initial thought was what went with. I’d been hot air ballooning the month before ‘light’ so I could write about the dawn light coming through the clouds.

Foundations though….my mum’s foundation garments of huge bra, Bonds Cottontail undies, and panti-girdle were not going to do the trick.

Sometimes it took some desperate intention setting and a trip to St Andrew’s bush market. “Between now, 8am, and when I get home, I will see something that inspires today’s article.”

I had to do some desperate intention setting that today I would generate an idea for the 5th module of Season of the Wolf: the Hulder and the search for extraterrestrial flora.

I haven’t done all the reading. I missed last week’s discussion of the reading. I’m currently in Queensland visiting my daughter and three grandkids. I haven’t turned my mind to the topic at hand.

I did take a half hour walk today, which usually lets my mind wander. It obligingly did so. A few days before, I saw a notification that Australian nature writer Inga Simpson was giving a writing workshop. I can’t attend, but thought of her brought her novels NEST, and WHERE THE TREES WERE. The latter got me thinking about arborglyphs – symbols carved into indigenous Australian trees. Most have been cut down and destroyed during land grabs by white fellas. Those preserved in museums have mysteriously gone missing in collections (let’s not admit that this land remains unceded).

Arborglyphs x Scandinavian huldra = today’s poem about immigration, hybridisation, integration, and in the background is land rights.

I can’t post any of it here, due to me wanting to sell first publication rights, but I thought you’d like to know about the cross-pollination that happens in my brain.

Oh go on then, here’s a Scribbly snippet.

The Daily Blog experiment – NaPoWriMo 2024

Every April, it is designated by…I dunno…The Goddess Brigid, or perhaps The God Apollo, or maybe The Goddess Saraswati that poets all over the world participate(or not) in NaPoWriMo – National Poetry Writing Month. It can also be called GloPoWriMo – Global Poetry Writing Month.

Here’s the official website, should you care to participate.

https://www.napowrimo.net

I’m using this month to perhaps create a new poetry chapbook. I won’t be posting my poems entire, because blogging like this counts as publication, and editors, publications, and presses are not keen on previously published work. Oh, some do reprints, but most want crispy fresh work.

I may post small excerpts as I go.

Anyway, the site has kindly, finally acknowledged that we Down Under are already in the middle of April 1, and have posted an early bird prompt. So, off I go, revisiting the cosmos in my mind and my poetry. Loving hard on Mars, and seeing what voice comes out of all this.

The Daily Blog experiment – creativity

I’ve always said that I don’t want to do a Masters or Ph.D. in anything, and especially not my own creativity, because I’d rather not know how the magic works, in case analysis renders it sticks and ashes.

What brings me to this subject? Recently, I’ve started a year-long experiment of posting a poem a week on TikTok. A video of me reading the poem. However, 7 days between posts is a long time for the attention span of a TikTokker. I apparently may as well be consigning myself to the rubbish heap 2 days after each post.

To that end, LadyDraven(acting as my social media manager) and I have devised some occasional in-between content. Ugh, I hate calling it content. Stuff? Performances? Other pieces to the jigsaw puzzle of me?

Yesterday, she filmed me mind-mapping the word ‘wolf’ and all the associations it had for me, in the hope that something would spark off an idea.

This isn’t a common way for me to work. Usually, all the connection happen subconsciously in my head. But that’s not filmable, so we went with mind mapping.

Yes, I did spark an idea.

Today, I took myself to a cafe, and armed with chai, opened up my small shoulder bag notebook.

First attempt flopped around performing tricks, but at least I thought I knew what I was trying to say. I had a cup of chai and went at it again on a fresh page. Yes..ye-es..er..okay..ye-wtf..no.

My creative self was outraged at this non-organic way of working. My poems usually spring out of nowhere, with only a peculiar itch inside the back of my skull to warn me that ‘something is coming’.

This artificial mind-map forcing was wrong. How dare I dictate when and how and what.

In other words, I can put wolves, and werewolves, and Yellowstone, and girls wearing red, and Grandmas on the page all I like, but unless it’s an organic sprouting from inner compost, I will have nothing but wooden words on the page.

So, I closed my notebook, put away my wonderful Quirky Cup Collective pen, and instead watched a paper bag blowing around in the wind.

I feel that my muse, or genius loci, or creative self still has more to say on all the things mentioned above, but I’ll just have to wait until she’s ready.

As Though I Were A Machine, Not A Dreamer

An author I admire has sent out her monthly newsletter. There’s an invitation to sign up for a free talk on Productivity. I’m not signing up.

On my bookshelf, side by side, are: THE WAR OF ART, and THE ART OF SLOW WRITING. They barely speak to each other. Only one speaks to me.

Last Saturday, I spent all day in a Writers Victoria webinar on maintaining a creative life. I paid money basically to be told ideas are everywhere, develop a writing habit every day, and have a support group. Last week, I did my very best to develop a 9-10am writing habit. This goes against the habit I’ve developed over the past ten years of sliding into my day, meandering, slothing fuzzy-brained. I’m out of practice getting up and getting on.

Jumping straight from bed to productivity and then into an almost-daily fitness practice is a hectic way for me to live and by Thursday I was actually glad we had an NDIS(National Disability Insurance Scheme) planning meeting at 10am, and our NDIS annual review at 1pm, so I could have an excuse to be ‘unproductive’.

I know my writing jags are just that – jags. Writing creativity comes in waves from what I’ve come to trust is an endless ocean. It’s taken a long time for me to accept that when the tide’s out, the tide is simply out, not gone. I don’t have to slide into a decline, and just before the tide turns, dramatically decide that I have to delete all my writing ever, accept that the relationship is over, and try to rebuild myself as someone else. Yes, truly. This happened at least once a year for about 44 years, with deserts inbetween sometimes lasting months or years when I barely wrote at all.

Three months ago, suddenly, I got the feeling that a poetry tide was beginning. Just as I was womanning myself up to open the memoir folder and say ‘well it’s time for another crack at The Memoir That Never Ends, no matter how painful it is to write this stuff, and revisit it’, I wrote a poem, and the poetry tide rushed back in. It carried strange creatures, long time-lines of seaweed, and the usual array of angry cockle shells, outraged mussels, and amused crabs.

I dropped whatever thoughts I had of anything else, and sailed the waves of poetry. I read it, I imitated those greater than myself, I formed a small online poetry group. I wrote on paper, and on my computer, straight into this blog. I followed prompts, joined everything I could for Red Room Poetry’s Poetry Month. I dived off the highest pier I could find and plunged into the water.

A couple of weeks ago, I wrote a poem that just lay there on the page like a washed-up fish. Floop. The tide had turned. Poetry ran back out of me, pulled by the Moon, the planets, the need for another wave of something to come in.

I still attend my poetry group. I write poems, but the feeling of rightness isn’t there, and I’m not talking about being all ‘arty’ and saying the Muses aren’t speaking to me. My genii who live around and through and in me needed rest from poeming, and I’m letting them rest. I’m letting that wave, that tide, be out. I’m currently writing smelly poems that I will likely do nothing with.

I quietly wondered what would come next: would poetry flow back in after a few weeks or months’ absence; some other form of writing; another passion; ooooh, maybe something brand new?

I got stuck into the gardening, soaking up information about planting seasons, the Spring tides, trimming, feeding, weeding, planning, killing off lawn and replacing it with spreading plants, buying a new fancy in-ground composter that’s a feast for worms. I got out my smart phone macro lens and wandered the neighbourhood getting up close and personal with flower stamens, leaf edges, and blossom. I went down google rabbit holes finding out the proper names of various flowers, and where they’d’ come from. I researched possible magical and medicinal uses. I went back through some of the Patreon posts of The Perma Pixie.

I can feel the gardening craze starting to wane. I’m lethargically planting the remaining seeds I have, and having to set reminders to feed the roses again, Seasol the seedlings, etc.

However, just as I started wondering if I was about to have an idle time of it, with space for reading(well, let’s face it, there’s always space for reading) and pottering, I had a conversation with SnakyPoet this week, and we mused again on writing our magical memoirs. We’ve both had cracks at this before. Both of us pulled our punches for our respective audiences. Our base fears: being called liars, being thought mad(and in my case, something being done about it, to the tune of medications, or hospitalisation), being laughed at or ridiculed. We are writing them for each other now, corralling any bigger thoughts of readers, publication, and styling our writing and experiences for the palates of the middlest common denominator.

It seems that a disciplined daily practice is exhausting for me, no matter what time of day I schedule it. Part of me runs screaming from schedules. However, the writing gets done, as does everything else. So I’ll ride the wild passion of the magical memoir, the sayings of a new age wanker, witchy happenings, until it’s done with me. There will be something else. I’ve come to know that there will always be something else.

I refuse to make war out of my art and craft. I back away from forced productivity. How very capitalist of society to insist its rebels, outcasts, and questioners conform.

Liz Gilbert take aways from The Australian Writers Centre

Elizabeth talked about many things – including a story about wanting to be a writer when she was young, and moving to New York as that’s where she thought all the writers lived! However, that was the extent of her plan. She wanted a new life as a writer, but then couldn’t find any time to make it happen.
It was only when someone she respected asked her what she was willing to GIVE UP to have the life she was ‘pretending to want’ that she saw clarity. She thought she was too busy with three jobs, yet could still tell them about her current favourite TV shows, books, magazines, movies and places she was weekending with friends.
It might seem harsh, but sometimes if we want something enough, we need to think about what we’re willing to sacrifice to make it happen. There are actually enough hours in the day – it’s all about priorities.
What are YOU willing to sacrifice for your goals?

*****

These are not my own notes, but came as part of a newsletter from the Australian Writers’ Centre, and were shared by a lady called Vanessa.

Soul Collage – a first encounter

Despite having worked with Kiala Givehand in Pull Pen Paint for a couple of years, I’ve not come across Soul Collage before. However, she is one of the facilitators for Vanessa Sage’s Slow Goddess Pilgrimage In Crete next month, and one of the prep items is to do two Soul Collage workshops online with Kiala.

Now, Kiala is somewhere in the USA. I’m in Australia. I ain’t getting up at 3am to do these workshops live. Also, I’m not at all sure where I’ll fit the workshops into my days. I mentioned Soul Collage to my friend ArtTherapyBoogaloo, and she googled. Lo, and there was a lady who is a Soul Collage facilitator close to me.

A couple of chats later, and yesterday I went to see her for a 90 minute 1:1 Soul Collage intro. She even had a little kit for me – some 5″x8″ mat boards, a glue stick, a pen, a mat board ‘frame’. And loads of pictures torn out of magazines for me to choose from.

I’ve LadySoulCollage interviewed my card, while I spoke as it. Notes taken as to what the meaning is today. No different from drawing meaning from oracle or tarot card images(but without a handy guidebook).

I enjoyed the process very much, because it’s removed from writing. I want to do more, and I want to join the group that meets at her house once a month to create cards. I don’t want to rush this process and make 20 cards within a week, all with similar styles and meanings. I want this to be a growth, a journey.

My next card will be in Kiala’s first workshop.

No, I can’t show you the card. The images I used are no doubt copyrighted to photographers, and artists, and the cards are for me personal use. However, some feel no such privacy, and there are plenty of Instagram posts of cards.